Worlds of feedback/oscillation. Alesis Philtre and DOD digital delay pedal plugged in and out of Crowbar 3x3 mixer matrix. Also plugged into Crowbar, Barbie Sputnik. All that and a phone tap pickup running into a Radio Shack Sound Center toy mixer/amp, and the Sound Center output into a Realistic Electronic Reverb and that into a mini amp. Amplified listener into computer speakers. Toy mic into voice changer into old boombox speaker. Monotron into amplified speaker/mini amp.
3 plays
Distinguished Absence
Free range humbucker and various amplification feeding back etc. in and around a washing machine.
2 plays
Cow To Farthest Tree
Much like Wide Tear After and before. Monotron and DOD Digital Delay pedal run in and out of the Crowbar 3 x 3 mixer matrix. Barbie Sputnik, toy mixer/amp, Realistic Electronic Reverb and a phone tap pickup.
4 plays
Wide Tear After
Same tangle of stuff more or less as used in Wide Tear Two video. Monotron and DOD Digital Delay pedal run in and out of the Crowbar 3 x 3 mixer matrix. Also Barbie Sputnik, toy mixer/amp, Realistic Electronic Reverb and a phone tap pickup.
3 plays
Grain Dryer Vector
Monotron, Realistic Electronic Reverb, goofy amplification, inductive feedback. Done much like Last Shovel, except not.
Improv with Spy Voice Changer (feedback), Monotron, Realistic Electronic Reverb (more feedback), toy mixer, phone tap pickup, Barbie Sputnik (again more feedback) etc.
4 plays
Iron Bearing All
Monotronic pulsings. Spy Voice Changer electronically feeding back into itself.
3 plays
Faults Bottom
A more free range attempt at reading a map using several passes of a DIY oscillator driving a raw speaker with various stuff cradled in it.
More on this 73rd Disquiet Junto project, which involves reading a map of the San Andreas Fault as if it were a graphic notation score, at:
A disputed zone between the ears--first mine, then maybe yours or somebody else's.
Or more blandly: an overspill from this repository of roughly 30 million years of poppy noisy stuff.
Also reblogs, belonging to dem's who made them etc.
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Marginalia and so on:
An embarrassing past (present? future?) set to music & preemptively uploaded.